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This is some smooth music. The kind that moves at its own pace because it does not have to move one bit faster, not for nobody. And the title should be taken seriously. This is hip-hop infected Latin soul ...raw street beats, bass from the heart, and guitar so smoky and smooth it's like mole. Like stripped down Curtis Mayfield. Like Buena Vista Social Club played by hip kids.... Blackalicious's Lyrics Born provides guest vocals on the supreme groove of "Gettin It Together"-- from the syncopated organs that occasionally blat perfectly out of tune, the rolling drums that pop just right, the clean guitars that bounce between rapid strum and sustain, this is old-fashioned soul like grandma used to make."--David Christensen, fakejazz.com

Track listing:

1. Gettin' It Together (Album Version)

2. Gettin' It Together (Instrumental)

3. Good Times A Comin'

• Limited edition, destined to be sought after
  
• One track from Guerrero's1latest Mo'Wax album
  
• Unreleased, non-album B-side

30-second MP3 excerpts:

B.W.'s Blues
So Blue Its Black
Keep On Keepin On
Azule
Black Sheep Blues
Thirsty
Pollo Caliente
Never
Solow
Introspection Section
Gone Again
In My Head
Soul Miner

At 41, the guy's resume reads like a dream--Bones Brigade skate team in the '80s, movie appearances, co-founder of Real Skateboards and 40s Clothing, art director for Krooked Skateboarding, and prolific recording artist, from the Fat Jazzy Grooves and Another Late Night compilations, to albums for Mo'Wax, Galaxia, Function 8, Rush [Japan] and Quannum. Then there's the collaborations with Lyrics Born, Jack Johnson, and Prefuse 73, and the remixes for Money Mark/Nigo, Poets of Rhythm and Sean Lee. His band Jet Black Crayon has toured with Isotope 217 and Tortoise. He's scored tunes for Thomas Campbell's surf film Sprout, the EA video game Skate and had the honor of being the sole provider of music for Todd Oldham's show Hand Made Modern on HGTV. He's packed houses from the Fujirock Festival to Cafe DuNord in S.F. and Knitting Factory in N.Y.C.

Tommy's music, like his graphic design, is beguilingly simple. He sounds like a guy fucking around on his front stoop--and maybe that's exactly accurates--but the results touch you down to your toes. His melodies dance lightly around your head while the rhythms build under your feet. His is soul music, made by a street kid raised on Santana and Bill Withers, with more than a little nod to The Clash and Public Enemy in there, too.

30-second MP3 excerpts:

And The Folklore Continues
La Califas Perdido
I Would Go With You
No Time For Time
Calling For Ya!
Bloodinthemud
Zapata's Boots
Mosiac Man
What Have I Been Doing Since I Was Gone?
Paper Switchblade
Never Forget To Remember
Run With The Hunted
New Terrain
40 Summers
The Simple Man

At 41, the guy's resume reads like a dream--Bones Brigade skate team in the '80s, movie appearances, co-founder of Real Skateboards and 40s Clothing, art director for Krooked Skateboarding, and prolific recording artist, from the Fat Jazzy Grooves and Another Late Night compilations, to albums for Mo'Wax, Galaxia, Function 8, Rush [Japan] and Quannum. Then there's the collaborations with Lyrics Born, Jack Johnson, and Prefuse 73, and the remixes for Money Mark/Nigo, Poets of Rhythm and Sean Lee. His band Jet Black Crayon has toured with Isotope 217 and Tortoise. He's scored tunes for Thomas Campbell's surf film Sprout, the EA video game Skate and had the honor of being the sole provider of music for Todd Oldham's show Hand Made Modern on HGTV. He's packed houses from the Fujirock Festival to Cafe DuNord in S.F. and Knitting Factory in N.Y.C.

Tommy's music, like his graphic design, is beguilingly simple. He sounds like a guy fucking around on his front stoop--and maybe that's exactly accurates--but the results touch you down to your toes. His melodies dance lightly around your head while the rhythms build under your feet. His is soul music, made by a street kid raised on Santana and Bill Withers, with more than a little nod to The Clash and Public Enemy in there, too.

30-second MP3 excerpts:

And The Folklore Continues
La Califas Perdido
I Would Go With You
No Time For Time
Calling For Ya!
Bloodinthemud
Zapata's Boots
Mosiac Man
What Have I Been Doing Since I Was Gone?
Paper Switchblade
Never Forget To Remember
Run With The Hunted
New Terrain
40 Summers
The Simple Man

YOTM finds Guerrero moving in subtle new directions without losing the firm stance heis long held in the thick clay of the earth o a more layered and complex blend; a faster pace and a driven feel; and a slightly less organic/acoustic sound in favor of a more synthesized and electronic one. With both a harder edge and a more postmodern vibe, Guerrero offers something different this time around, while still handling all aspects with his unmistakable signature style. Year of The Monkey is the perfect backdrop to the best late night youive ever had.

YOTM finds Guerrero moving in subtle new directions without losing the firm stance heis long held in the thick clay of the earth o a more layered and complex blend; a faster pace and a driven feel; and a slightly less organic/acoustic sound in favor of a more synthesized and electronic one. With both a harder edge and a more postmodern vibe, Guerrero offers something different this time around, while still handling all aspects with his unmistakable signature style. Year of The Monkey is the perfect backdrop to the best late night youive ever had.

30-second MP3 excerpts:

Archaic Days
Dead Waters
Knives Fighting Guns
Spider And The Monkey
By Fist And Fury

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