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New Releases for date: 1/14/02
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BIRDMAN

Artist: BROTHER JT Title: Maybe We Should Take Some More?
Format: CD Catalog
Number:
BMR35
Price: $12.00 Label: Birdman
Release
Date:
1/14/02
***Combining the classic trappings of '60s psychedelic guitar rock with an eccentric spirituality, Brother JT records are deep, penetrable and seek to entertain. He has racked up a multitude of impeccable releases on a multitude of independent record labels with impeccable taste. His palette expands with each passing release. Heavy pop, thick with guitars, thumping drums and stoned, tremulous melodies takes the listener on a trip through the complex patterns and designs that are unique to the mind of JT. From stretched-out zoner wail to agile, psychedelic strum, his body of work is singular, odd, outstanding and unimpeachable. It's a pretty tall order to name a contemporary artist with enough panache to carry on the legacy of wrecked pop and what writer Byron Coley would call "Blieb Alien rock" left behind by the likes of Syd Barrett, Roky Erickson, Skip Spence and sandbox-era Brian Wilson, but Brother JT is the only name worthy to stand alongside.

Artist: LEWIS, HERSCHELL GORDON Title: Eye-Popping Sounds Of
Format: CD Catalog
Number:
BMR29
Price: $12.00 Label: Birdman
Release
Date:
1/14/02
***In 1962 exploitation filmmaker Herschell Gordon Lewis and his partner David Friedman (a former carny and future porno kingpin) abandoned nudie films and invented a new film genre. Dubbed "the godfather of gore" by John Waters, Lewis began his career in graphic grue with Blood Feast, a film that shocked and disgusted drive-in movie audiences across the country. He followed Blood Feast with a string of gore, biker, horror, juvenile delinquent, and sexploitation films that all bore his trademark style, part of which was his unique soundtrack music. Whether incidental, bluegrass, rock'n'roll or pop, the music in his films was almost always written and often performed by Lewis himself. When outside help was needed, he usually called on inept garage bands and lounge acts to do the job. The Eye Popping Sounds of Herschell Gordon Lewis collects the very best songs from his entire filmography in one bloody package for the very first time. Thirty-seven tracks in all, including rare radio spots and hilarious soundbites, and a beautiful, 24-page color booklet full of disgusting stills from his films and liner notes from the Godfather himself. This package is an absolute must for any fan of grade-Z films and trash culture. Plus 27 more ear-gouging classics!

IN THE RED

Artist: CONSUMERS Title: All My Friends Are Dead
Format: CD Catalog
Number:
ITR29
Price: $12.00 Label: In The Red
Release
Date:
1/14/02
***Much of what is passed off as "punk rock" these days is pathetic and limp - no secret there. The Consumers were the real deal antithesis of pathos and limpness. Formed in early 1977, The Consumers were probably one of the very first in Phoenix, Arizona, to play punk rock. Influenced by punk scenes in England and New York, The Consumers cooked up a sound that was fast and hate-fueled. You will not find lyrics like "I'm going to find a way to drive you mad like piss on you or fuck your dad" on a Pennywise album, no sir.

The Consumers recorded their one and only album in a small Phoenix studio in December of 1977 - eleven scorching tracks delivered in nineteen minutes, all loaded with anger and pure nihilism - and immediately moved to Los Angeles. Once in L.A., the band hit the live circuit, playing clubs like the Masque and the Whiskey A Go Go. Their sets were often violent; in an incident documented by Slash magazine, the entire band once beat vocalist David Wiley bloody onstage for no good reason! It didn't take long for them to be banned from clubs all over town. Legendary punk record label Dangerhouse agreed to release their album, but within a few short months, the label folded and the band imploded. Eventually the band members went on to other things: guitarist Paul Cutler formed 45 Grave and later joined Dream Syndicate, vocalist Wiley formed the Human Hands and the rest went on to lives of drugs, the military or dead end jobs. Presently, only two members of the band are still living.

The Consumers album remained unreleased until 1994 when In The Red Records issued it as a limited-edition LP which sold out quickly. Now, for the first time, it is being issued on CD, newly re-mastered and sounding louder and nastier than ever. This is real punk rock - the kind FM radio is too chickenshit to deal with and video network lunkheads are paid handsomely to ignore.

  • Shocking early works by psychos who would go on to 45 Grave, Dream Syndicate, and Human Hands
  • Loud and nasty punk rock from 1977, on CD for the first time
  • Initial limited pressing of the vinyl sold out immediately

    30-second RealAudio excerpts:

    Teen Love Song
    Anti, Anti, Anti
    Consumers
    Concerned Citizen
    Your Problem
    Ballad to the Son of Sam
    My Type
    Dream Hits
    Get Out
    Media Ogre
    Punk Church

    If you have a recent version of iTunes software on your computer, clicking on the iTunes button immediately below should open the iTunes application and take you to the iTunes Music Service page-- where you can listen to samples and buy this album, or individual tracks:

    All My Friends Are Dead

    For a complete listing of Midheaven exclusive albums available for download from the iTunes Music service, please visit the Midheaven Mailorder/Revolver USA Downloadables page.


  • NINJA TUNE

    Artist: FOG Title: Pneumonia
    Format: CD Catalog
    Number:
    ZENCDS106CD
    Price: $6.00 Label: Ninja Tune
    Release
    Date:
    1/14/02
    ***The first single from the upcoming Ninja Tune reissue of the self-titled album from Minneapolis-based hip hop mindbender ANDREW BRODER. The title trackóan on-the-surface straight-up indie rock track grooved over with beat juggling and genre-busting sound bitsóbacked with a remix by head Ninjas COLDCUT, and a brand new track featuring Bay Area motor mouth DOSE ONE on vocals.

    RECORDHEAD

    Artist: AIRPORT 5 / GUIDED BY VOICES Title: Selective Service Split
    Format: CD Catalog
    Number:
    FCS 16 CD
    Price: $9.50 Label: Recordhead
    Release
    Date:
    1/14/02
    ***BACK IN STOCK!!! A CD collection of the Fading Captain series of singles tracks from Dayton, Ohio pop overachievers GUIDED BY VOICES and AIRPORT 5 (ROBERT POLLARD & TOBIN SPROUT). Includes all the cuts from the 7-inches, along with an exclusive unreleased Airport 5 cut. Color cardboard sleeve (no jewelbox).

    YOUNG GOD

    Artist: LARSEN Title: Rever
    Format: CD Catalog
    Number:
    YG19
    Price: $12.00 Label: Young God
    Release
    Date:
    1/14/02
    ***"Larsen's ideology seems to be arcane and extreme (though I'm not clear on all the details), and from what I could glean when I recorded their album in their hometown Torino, Italy, they operate as some sort of hermetic cult / collective. Protective of their personal identities, out of legal necessity as well as a firmly held belief in the superfluity of their own names and faces to the agenda of their work, they recorded Rever from behind a screen and communicated with me via assistants and translators exclusively.

    "We worked as if executing a field recording. The band would play a piece, sometimes for hours, over and over until they felt they'd reached the correct level of concentration, at which time they directed me to record. I had the sense of eavesdropping on a private ceremony. I sat in the control booth for hours, watching the shadows move behind the screen with no "music" being generated at all - just the kind of highly ritualized sounds I recognized from the initial CDRs they'd sent me. Heated, violent arguments - shouting matches, really - would lead seamlessly into a soft and beautiful groove, or just as likely, a martial stomp, or a miasma of dissonant electric atmospheres. My role as producer was simply to capture these moments on tape. We worked later on the editing of this material (some ten hours of original recordings, as I recall) with the band standing behind the screen conferring, shouting, arguing, laughing, or simply directing me and the engineer (all in indecipherable Italian, sporadically translated).

    "With electric guitars, accordion, organ, bass guitar, drums and percussion, their voices, a trumpet or trombone, and an occasional handmade tape loop, Larsen work and work themselves into the core of the rhythm and sounds they generate. Grooves begin with a certain feel and transmute entirely by the time they wring the essence into its final shape, which is what you hear, in edited form, on Rever. That's why I say they're like field recordings - excerpts from an ongoing rite, documented by a non-invasive stranger."

    --M. Gira, Young God Records

    • Ritualized dissonant groove-stomp "field recording" documented by non-invasive stranger M. Gira (Swans / Angels of Light)
    • The Young God label continues its devotion to Europe's most interesting bands with this debut release from Italy's Larsen
    • Released by Gira's highly visible Young God Records, featured on label's much hit site, www.younggodrecords.com

      30-second RealAudio excerpts:

      Impro #2
      Radial
      Mentre
      Finger Number Six
      Intermezzo
      Akin
      Intro
      Maya
      Impro #1

      If you have a recent version of iTunes software on your computer, clicking on the link below should open the iTunes application and take you to the iTunes Music Service page-- where you can listen to samples and buy this album, or individual tracks:

      Larsen "Rever" (Young God)

      For a complete listing of Midheaven exclusive albums available for download from the iTunes Music service, please visit the Midheaven Mailorder/Revolver USA Downloadables page.


    Artist: SWANS Title: The Great Annihilator
    Format: CD Catalog
    Number:
    YG18
    Price: $13.00 Label: Young God
    Release
    Date:
    1/14/02
    ***The Swans are a study in metamorphoses. In 1983, when Melody Maker dubbed the NYC noise mavens "a deeply repulsive form of audio pornography," it was more a compliment than a slam. Cacophonous, confrontational, and unrelentingly loud, the band used vocal rants and bone-crunching distortion to achieve unparalleled levels of sonic pain. Then, around '87 or so, rock's ugliest duckling found its inner Swan and blossomed into a vehicle for sweeping, complex arrangements of keyboards, strings and evocative sound effects. Vocalist Michael Gira traded his guttural growl for the croon of a balladeer, and the latter-day Swans were born.

    Their twelfth album, The Great Annihilator, is a majestic symphony of haunting melodies and shifting moods. Spirituality - or rather the absence of it - provides the linking motif. With a kinetic, industrial goose step, "She Lives" plays with chanted images of madness and martyrdom, while the jagged coda of "Celebrity Lifestyle" lays the groundwork for a cutting look at material dreams.Ö "Warm" forms the album's thematic center, overflowing with ethereal vocal loops and drums that patter like raindrops accross the lyrical landscape. On "Mother/Father" and the mantric "My Buried Child," vocalist Jarboe outdoes herself with a spectrum of darkly distinctive voices.

    Taken on its own, this album is a vivid example of how to combine the dissonant with the dulcet while retaining a dangerous edge. Viewed in the context of the Swans' 12-year journey from audio pornography to majestic romanticism, The Great Annihilator serves as an epic apotheosis.

    --Neva Chonin, San Francisco Bay Guardian, 1995


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