no cover

Tracklist

  • #1 Prelude
     
  • #2 Big Fat "m"
     
  • #3 Big Fat "m" (alternate Version)
     
  • #4 Scanty-town Ride
     
  • #5 Angel Must Be A Centerfold!
     
  • #6 Big Cheap Motel
     
  • #7 Stoopid Symbol Of Woman Hate
     
  • #8 Just A Pollutant
     
  • #9 The Pornographic Milk Drink
     
  • #10 Peter And The Milk Drink
     
  • #11 Can't Stand Up For 40-inch Busts
     
  • #12 We Love You
     
  • #13 M Doesn't Stand For Mother
     
 
Single MP3s for this release are $0.99.

 

Axemen / Big Cheap Motel

Siltbreeze

formats available
  • LP
    $13.00
    SB 115
    Street Date:
    February 17th, 2009
    Ship Date:
    February 9th, 2009

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Siltbreeze joins Sleek Bott Industries for a series of vinyl-only releases from New Zealand's legendary Axemen. (Little) Stevie McCabe, Bob Brannigan and Stu Kawowski have recorded decade's worth of priceless tuneage, some of which, it only seems fair, should finally see the light on a format suited to their chutzpah.  The first one out of the gate is the trio's 1983 Big Cheap Motel, their difficult third album, their protest album (following the blistering, insane, and completely live debut Equinox and the studio / live tribute to punk-dub-beer-noise-cubism, Mick's Dancefloor (Mix)). Rarely heard outside the Southern Hemisphere, this montage of rough-and-ready live performances and Peterboro Studio recordings teeters on the precipice of chaotic genius alongside such stalwarts as Alternative TV / Hear & Now's What You See Is What You Are and 1/2 Japanese's Loud.  Says McCabe, "Bob and myself went down to check out the Christchurch Botanic Gardens, the scene of the summertime concert-in-the-park series of free outdoor events sponsored by the local council and Big M milk drinks, only to find the park plastered with billboard-sized posters of scantily clad young ladies advertising the sponsor's wares. We immediately scrapped our set list--which extolled the joy of festivals and praised the council and Big M milk drinks as worthy town governors and milk-based food products, respectively--and replaced them with a set of 'protest' songs about the travesty, which were performed at the event, to the mild annoyance of the council and the sponsors. Following this brutal coming of age and awakening to the influence and power of advertising, The Axemen swore to use advertising to its full extent in future, but only for good (e.g. promotion of The Axemen), never for evil (anything else)."  Not exactly a Crass concert, but, hey, be careful what you wish for. Comes with a reproduction of original insert and original cover design, in a one-time edition of 500.


 

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