cover

Tracklist

  • #1 Faith's Broken Mirror
  • #2 Sophia's Theme
  • #3 What's Wrong with Cytherea?
  • #4 Mourning In Ekstasis
  • #5 He Hates Us
  • #6 Psychism 1: Cytherea's Possession
  • #7 Love Spell
  • #8 Agenda 21
  • #9 Subcutaneous Solution
  • #10 Abyss Of Psychic Enchantments
  • #11 Subdermal Sequence (Nano-Correction)
  • #12 RFID Slaverider
  • #13 Dionysian Dithyramb (Eros-seed of the Egregore)
  • #14 Zombievision
  • #15 Perfectly Reasonable
  • #16 Psychism 2: Fear Is The Great Teacher
  • #17 Abolish Believers By Abolishing Belief
  • #18 Funeral for What Might Have Been (Sophia's Theme)
  • #19 Codex Alimentarius
  • #20 Putting Forth The Hand To Take
  • #21 Psychism 3: Sow The Wind, Reap The Whirlwind
  • #22 Hypnotopia (Obey Your Passion)
  • #23 Nano-correction / Human Migrations / Faith Realizes
  • #24 Chapel By The Sea (A Heart That Is Broken And Humbled...)
  • #25 The Strength To Sever
  • #26 Baby Hedone (Harvest Of The Egregore)
  • #27 Zombievision 2012
  • #28 The Great Die Off (He Mocks Us All)
  • #29 Cytherea's Awakening / Martyrdom at Romiou Point / Return to the Foam
  • #30 To Love God Is Sweeter than Life (Sophia's Theme)
 
Single MP3s for this release are $0.99.

 

Secret Chiefs 3 / Traditionalists / Le Mani Destre Recise Degli Ultimi Uomini

Web Of Mimicry

formats available
  • CD
    $12.00
    WOM 028CD
    678033302820
    Street Date:
    June 9th, 2009
    Ship Date:
    June 1st, 2009
  • MP3 DOWNLOAD
    $9.90
    Street Date:
    June 9th, 2009
    Ship Date:
    June 1st, 2009

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From out of nowhere, Secret Chiefs 3 (operating here as Traditionalists, one of the seven satellite bands introduced on their Book of Horizons album) present an elaborate colonna sonora paranoica: original compositions that were dreamt up in the harmonic language of the Giallo Horror Film Soundtrack--a particular subgenre of B-movie with remarkable scores by Italian masters such as Bruna Nicolai, Stelvio Cipriani, Ennio Morricone, Goblin, Pierro Piccioni, etc. Le Mani Destre Recise Degli Ultimi Uomini employs a full orchestral score that capitalizes on the Chiefs' stock manpower (Trey Spruance, Ches Smith, Timb Harris, Shahzad Ismaily, William Winant, etc.) and adds to it a broad cast of A-list hired musicians (among them Laurie Goldstein, Hans Teuber, et al.). Dissonant, violent strings recede into beautiful textures with flute and female vocals through echoplex; analog synthesizers, harpsichords, and celestas hover above a tight, '70s-style rock band rhythm section; crazed psychedelic freakouts payoff majorly; church organs grant repose, until tape treatments and a shrieking chorus of possessed voices force the listener to reconsider his or her position on the existence of Evil. The entire project, as one might expect from this band, is a spiralling allegory that extends itself well-beyond its cliched starting-point as a "soundtrack for a non-existent film." The film is imagined, but the horror is real.


 
 

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