cover

Tracklist

  • #1 Massive Place
  • #2 Bric Jaz
  • #3 Sing Song Waitress
  • #4 Put the Puss to Bed
  • #5 Bathman
  • #6 Everywhere, There
  • #7 Mater
  • #8 Clubbing for $$
  • #9 Inventing a Common Rule
  • #10 N##JJ
  • #11 Gelly Roll Gum Drop
  • #12 CO/CA
  • #13 Bric Jaz (Reprise)
  • #14 Quai des Orfèvres
 
Single MP3s for this release are $0.99.

 

Sic Alps / U.s. Ez

Siltbreeze

formats available
  • CD
    $12.00
    SB 98 CD
    655030109829
    Street Date:
    July 15th, 2008
    Ship Date:
    July 7th, 2008
  • LP
    $13.00
    SB 98
    Street Date:
    July 15th, 2008
    Ship Date:
    July 7th, 2008
  • MP3 DOWNLOAD
    $9.90
    Street Date:
    July 15th, 2008
    Ship Date:
    July 7th, 2008

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U.S. EZ is the fourth long-player in the Sic Alps canon (excluding the recent singles comp CD, A Long Way Around to a Shortcut), and their first for the Siltbreeze label. Fans of last year's amazing Description of the Harbor LP will not be disappointed, especially if they want to hear Side A's cosmic concrete creak, forged with the trebly, high-end neo-glam pop of Side B.   The duo of Mike Donovan and Matt Hartman outdo themselves here and it is the most fully realized Sic Alps release to date. U.S. EZ knows perfectly well what it means to be high and inside. It's not just baseball jargon anymore. If you've been jonesin' for an LP that calls to mind equal parts Bob Markley and Uli Trepte, then look no further, mein dueden (und duedetten). U.S. EZ is the virtual brick of Berlin / Big Sur hash we've all been waiting to break into. The ominous death's head fez has now been ensconced in a witchy naugahyde bonnet, thus levelling the playing field for both the psychedelically challenged and the itinerant avant garde.  Sic Alps have always sprechen zie good vibes and U.S. EZ is a solid thump on all fronts. A summer tour of the States and a European one in the fall are in the works.  "San Francisco's Sic Alps take a modern approach to the psychedelic sound, with reverb remaining a key ingredient, and effects a routine tool, but with a sound more organic than their '60s predecessors, the final product something more roughly hewn and imperfect." --FakeJazz.com


 

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