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Updated 8/14/03 Release dates [among other things] subject to change. Our mailorder pages feature all the titles below-- and more-- sorted by release date at the following links:
8/4/03,
8/11/03,
and
8/25/03.
Our July 2003 new release page can be found here.
If you need to peer further into the future, Revolverwise, there's no better starting point than our news page.
AntiMCRun (MUSH MH022) LP Released the week of August 25th, 2003 order from Midheaven mailorder
AntiMC's solo debut is the three-part essay "Run To Free." The first installment, "Run," demonstrates his strengths as a producer and instrumentalist. The EP includes two full instrumental tracks: the Kashmiri-inspired "Could You Think of Anything Better?" and the live electronic collage "15:01." The bridge linking hiphop to jazz is established as hard-bop Atlantic Records legend Les McCann lends his vocal and keyboard talents to the track "I'm a Star Now." Fast rising Los Angeles based GSL recording artist Subtitle delivers a mind-warped poem of riddles and obscure pop-culture references on the track "Click, Rattle, Rattle" to round out the release.
Track listing:
1. Could You Think of Anything Better?
Released the week of August 11, 2003 order from Midheaven mailorder Blacktop was the first in a series of post-Gories bands led by Mick Collins. In the summer of 1994 he traveled south to Denton, Texas, to collaborate with Darin Lin Wood, Alex Cuervo and Janet Walker and create the band that would be dubbed Blacktop. They wanted a heavier sound than the Gories or Darin's band Fireworks (both bass-less), so they added a bass and plenty of bottom in the production. The result is a mutant cross between The Gories' raw R'n'B skronk and the Birthday Party's overwrought squeal. The record was received warmly by fans and the press alike when it was first released, and tours soon followed. This is about the time everything started to go horribly wrong. Problems with chemistry and chemicals soon ravaged the band and they imploded on the eve of their debut European tour.
I've Got A Baaad Feeling About This - The Complete Recordings collects everything done by the band during their brief existence onto one CD-- their entire album, single sides and tracks found only on the Australian issue of their album. Both the artwork and the mastering have been given serious overhauls to make this an essential purchase for any Detroit garage aficionado.
Track listing:
1. Blacktop Released the week of August 4th, 2003 order from Midheaven mailorder
Out of the legendary Project Blowed / Good Life crew, Busdriver has carved his name in underground hiphop with his unique freestyle and performance skills, combining elements of vocalese jazz, theatrics, spoken word, and whatever. This is an eighteen-track mental supernova of lightning-quick lyrical flow-- delivered in a high-speed style of jazz scale rhyming that leaves his audiences mesmerized and wondering how someone who speaks so fast can always be so articulate and on point. Brilliant grooves featuring guest vocals from LA all-stars Aceyalone, Of Mexican Descent, and Radioinactive. This re-release includes a Quicktime video for the track "Imaginary Places."
Busdriver's style is unorthodox, marked by inventive cadences and fluctuating tones, and the music that accompanies his rhymes is often as neoteric as the MC's lyrical delivery. But that doesn't mean Busdriver's style is too far over the heads of rap fans who look for something bigger and more universal than bling and bitches in their hip-hop. With beats by producers Paris Zax, O.D. and the amazingly talented Daddy Kev, among others, Busdriver has armed himself with a veritable arsenal of masterfully crafted and dynamically different tracks over which he spits rhymes that are often fast, accurate and complicated. He doesn't stick to one lyrical theme, and Busdriver isn't a gangsta or a pimp or any other easy rap cliché. The weight of his artistic drive is evident in his dense rhymes, and the caliber of his taste in rap music is evidenced in his choice of producers and beats.
--Max Sidman, Synthesis
30-second RealAudio excerpts: New Aquarium Released the week of August 11th, 2003 order from Midheaven mailorder
Secret Weapon Revealed At Last aka Full Moon Empty Sports Bag is The Country Teasers' first proper full length album in four years (not counting Science Hat Artistic Cube Moral Nosebleed Empire, a collection of odds and sods released by In The Red last year). On Secret Weapon Revealed At Last/FMSB we find the band at their rawest and most uncompromising-- an unlikely marriage of post-punk, industrial clatter, country, and roots music that is damaged to such a degree that Johnny Cash don't know but Gibby Haynes understands. Oh, we should also mention that the Country Teasers records are designed to offend those with PC values...mainly because those with PC values certainly deserve to be offended deeply. Demented and always unpredictable, the Country Teasers are a true original and one of the last bands that matters.
Success Released the week of August 25th, 2003 order from Midheaven mailorder
Even Further Behind is the Badman debut release from Dave Derby, and as the first album released under his name, encompasses Dave's various musical personas in one glorious pop explosion. Produced by Michael Kotch, Thom Monahan (Pernice Brothers, Beachwood Sparks), and Derby himself, Even Further Behind features performances by Lloyd Cole, Vitamin C, Phoebe Summersquash (Small Factory, Godrays), and many others. A cohesive thread of pop sentimentality and dynamic instrumentation lies at the heart of each song, though the vibe vacillates from somber melancholia to '80s new-wave urgency and back again to straight-ahead pop dementia. Dreamy rock or down pop, whatever you call it, it's music for your every mood.
Dave Derby's musical career began auspiciously as the leader of '90s alt-rock heroes The Dambuilders, a band once declared by Spin "the best unsigned band in America." A major label deal (East/West Atlantic) and several albums later, The Dambuilders disbanded, and soon after Dave Derby recorded his first solo outing under the moniker Brilliantine. Since that time, he's been stockpiling even more of his trademark brilliant, catchy tunes while touring and collaborating with artists such as Lloyd Cole and Jill Sobule.
Released the week of August 25th, 2003 order from Midheaven mailorder
Martin Dosh, most well known as the drummer and Rhodes piano player in the Minneapolis band Fog (Ninja Tune), has struck out on his own with his debut solo record. When he wasn't practicing drums, playing in bands around Minneapolis or teaching drums to elementary school students, Dosh was collecting hours upon hours of drum breaks and keyboard riffs in the basement of his house, a room cluttered with musical instruments, old samplers and effects pedals, blown out amps and a couple of dusty couches. He worked for a little over a year putting sounds to tape with the occasional accompaniment of friends. These recordings would become this collection of 12 self-engineered, mature instrumentals. Dosh's live drums, which are filtered, overdriven, looped, and effected, sound like a robot with human hands playing a beat-up kit through a vacuum cleaner. They are set in layers of sad, jazzy piano keys, beautiful feedback ambiance, vibes, reverb and delay-drenched Casios, turntables, guitars, and Dictaphone tape. The album displays a full hi-fi sound spectrum while maintaining the down-to-earth honesty of a homemade recording. Riding the faders, mutes and effects knobs, Dosh mixes in the spirit of Lee "Scratch" Perry, making each pass a one-of-a-kind, spontaneous performance.
Released the week of August 25th, 2003 order from Midheaven mailorder
Supremely talented, immaculately attired, sporting hooks, looks, chops, and undeniable rockstar power, Dynasty are the complete package royale. This is their seven-song, multiple re-entry vehicular salvo from the heart and loin of the San Francisco dancewavepartypunk culture war.
Fronted by the mercurial Jibz Cameron (Roofies) on vox and keyboards, hips set rocking by the bomb-ass bass of Diana Hayes (Mono Pause), and jet-propelled by the undeniable beatz of Indra Dunis (Numbers), Dynasty is the soundtrack to your fever-dream night-on-the-town with Alexis Carrington, Dorothy Parker, and Terri Nunn. Dynasty is not some tired, warmed-over electro retread. This is fresh, beat-oriented, melodic, everlasting gobstopper party music, awash in sex, deadpan humor, and all-consuming uniform lust.
Upon their 2002 inception, Dynasty instantly became one of the most sought-after bands on the contemporary West Coast dancewave party circuit, having shared bills with Erase Errata, Stereo Total, Gravy Train, and the Deep Throats.
Released the week of August 25th, 2003 order from Midheaven mailorder
Originally released in 1993, Get Out Of My Stations boasts the same classic Guided by Voices lineup as Propeller-- Robert and Jim Pollard, Tobin Sprout, Mitch Mitchell, Dan Toohey and Kevin Fennel (and let's not forget that it was lovingly fucked with by Mike Rep on the production side of things). Outside of the Siltbreeze seven-inch collection (Tard & Further'd), none of the original seven tracks have turned up on any GBV, Pollard, or Sprout project since this seven-inch was released 10 years ago. Too frequently overlooked-- due to the unavailability of this record for many years-- is how great these tracks are, even compared to the spate of seven-inch EPs that turned up in the wake of Propeller hysteria. Not one throwaway track exists upon it. This is blood, sweat and beers, otherwise known as blue ribbon GBV (how and why this record originally came to be should tell you all you need to know: the recordings were traded to Siltbreeze for a pair of vintage Walt "Clyde" Frazier Pumas-- 1973, size 11, green suede, never worn-- and a bottle of Silly Goose authentic German apple schnapps. Those were the days!).
Get Out Of My Stations, in all its lo-fi glory, now on compact disc for the first time, contains four extra live tracks from the same era. The recordings are sharp, captured as they came down-- hot, spontaneous and presented to you honestly, without the assistance of studio gimmicks. Don't be afraid to crack open a beer and enjoy the show.
Track listing:
1. Scalding Creek
Bonus tracks
8. Weed King (Khyber Pass, Philadelphia, 8/92) Released the week of August 4th, 2003 order from Midheaven mailorder
Herman Düne was birthed by David-Ivar Herman Düne and André Herman Düne more than ten years ago; the two Swedish-rooted fans of American music were playing all around Europe and the States before they'd even begun making records. Having written over four hundred songs, released three CDs and worked on a slew of side projects and self releases, they have become a reference in modern folk-rock.
NME, Melody Maker, The Independent, Mojo, and others have praised their albums, and one went so far as to describe them as "Swedish Lo-Fi Serge Gainsbourgs." John Peel invited them for a studio session in September 2000, and to his home for a live BBC broadcast of his Christmas party the same year. He continues to champion the band on the other side of the ocean.
The band's first stateside release came with Shrimper's They Go to the Woods, which Mojo reckoned was one of the finest releases of 2001. Between that release and this one they knocked out a record for the Prohibited Label, have collaborated with Julie Doiron & Cerberus Shoal, and eaten plenty of hash cookies, scones and crepes.
The singular and touching voices of David-Ivar and André are carried by the solid, minimal beats of their drummer, Neman. Ten songs grace Mash Concrete Metal Mushroom, which combine their spare sense of melody, elliptical style of poetics, and love of musical history.
30-second RealAudio excerpts: New Jersey Cross Concrete Released the week of August 25th, 2003 order from Midheaven mailorder
The four original members of The Innocence Mission met during a Catholic high school production of Godspell. Starting with their 1989 debut, they have released five critically acclaimed major label albums. The one element consistent throughout various incarnations of The Innocence Mission revolves around the inspired musical and literal marriage of guitarist Don Peris and vocalist/pianist Karen Peris.
Befriended is a haunting collection of ten songs that features the interplay of Don's gorgeously warm and shimmering electric guitars with Karen's transcendently lovely vocals and moving lyrics. Often earmarked as the group's most recognizable sound, her voice is a thing of wonder yet at the same time, has a familiar comfort to it. On Befriended, the influences of folk legends like Simon and Garfunkel and Fairport Convention are evident, yet The Innocence Mission carve out a melancholic yet joyful sound that is all their own.
Of all the new singer-songwriters, Karen Peris is the most interesting to me. -Joni Mitchell
The lyrics read like fine, wholly comprehensible Romantic poetry. For anyone in need of respite from Madonna's Catholic guilt, the Innocence Mission offers the rarer, intriguing tonic of Catholic joy. -Los Angeles Times
As sad and yet beautiful as anything that has been produced in years. Simply brilliant.
-Rolling Stone
Released the week of August 25th, 2003 order from Midheaven mailorder
Knifehandchop is Billy Pollard, a 22-year-old culture-junkie musician from Toronto who has been producing devastating electronic dancefloor anthems for the last four years on the Irritant and Tigerbeat6 labels. Rockstopper showcases what Knifehandchop has done and explores totally new musical directions, compiling some of Pollard's most manic moments, and offering lots of deep, emotional tracks. The vocoded, electro anti-love songs contrast over-the-top hip hop and distorted hardcore tracks scattered throughout the album, as well as mental mind-blowing gabber, laidback hiphop, sentimental vocal electro, and dancehall riddims.
His first single "Bounty Killer Killer" was praised for combining pop, gabber, jungle and ragga in a never-before-heard manner. Other vinyl-only releases like Respect To All The Haters, Taking The Soul Out Of Music and TKO from Tokyo displayed even more musical depth, tearing apart and recreating in his own image some of the staples of club music: booty bass, house, techno, dancehall and ghetto-tech. The Irritant single "Hooked on Ebonics" tore up clubs everywhere with cut-up rap vocals and huge electro beats, and was featured on a French fashion show CD compilation from Collette.
Knifehandchop is constantly defining a new genre for himself and Rockstopper is the most interesting, emotional and polished work he's done to date.
Released the week of August 11th, 2003 order from Midheaven mailorder
Modey Lemon are a two-man hurricane of sound and a genuine force to be reckoned with. Hailing from Pittsburgh, PA (home of George Romero) and clocking in at barely 20 years of age, The Modey Lemon have developed a sound unlike anyone else's. Guitar, drums and Moog synthesizer, equal parts late '60s hard rock, early '70s hard rock, and early '90s grunge filtered through punk from all three decades. This inventive, creative duo are caked in gritty, high-wattage garage punk and B-movie rock'n'roll, a twisted influence of greaser / garage rock sounds, adjusted with an art punk mentality, channeled through some big amp rawk. This album is packed full of rock nuggets with dirty boogie tempos and challenges the listener with nontraditional ideas. Everything from The Cramps to Iron Maiden to Beck goes into the blender, gets distilled, and comes out one very lethal brew.
Drummer Paul Quattrone is a human whirlwind - the best since Keith Moon or Neil Peart. Frontman Phil Boyd wails like a Banshee and looks like a Calvin Klein model. Hello, ladies, NME says they're "hearththrobs." They've toured the UK to rave response with the Von Bondies, have toured the US extensively, and will do it again in support of this doozy of an album.
Two-man trash rock never sounded so trashy. Rough and raw from the steel jungle of Pittsburgh, these guys bring a new twist...with their low-rent musical ruckus. There's a whole lot going on here, in terms of how this drums, guitar, and moog outfit bring the noise as they bridge the gap between some of Led Zeppelin's raunchier material and early Jesus Lizard. --Rob Ferraz, Exclaim
30-second RealAudio excerpts: Crows Released the week of August 25th, 2003 order from Midheaven mailorder
Twelve new songs by this Louisville, Kentucky, outfit continue to
defy categorization; My Morning Jacket's musical stylings-- equal
parts southern rock, Americana, and dreamy psychedelia-- inoculate
the public for numerous viruses with a varying spectrum of emotions
elicited by its pyramid of songs, an incendiary live show, and the
intoxicating vocals of lead singer and guitarist, Jim James. While
seeming to simultaneously channel the spirits of both Neil Young and
Flaming Lips' Wayne Coyne, James leads his band through
reverb-drenched melancholia that combines old country swagger with
classic pop sentimentality.
The biggest sound to come out of Louisville, Kentucky, since the
swoosh of the wooden bat.
-Rolling Stone.com
Released the week of August 11th, 2003 order from Midheaven mailorder
Snaps*Crackles*Pops is a refreshing take on the idea of pop music by highly acclaimed Australian electronic/ambient musician Pimmon. The elements and original vision of what people have come to love in Pimmon's music-- as well as obvious rhythms, melodies and song structures-- are at the core of an otherwise experimental framework. Overall the tracks reflect an emotional rollercoaster ride from exhilaration to frustration, melancholy and anger. It's very much a personal journey, using an idiosyncratic definition of the term "pop music"-- joyously melodic and catchy, but also chaotic. Similar to Eno's ambient work, Fennesz's Endless Summer or Mike Ink's Gas albums, Snaps*Crackles*Pops unites the freedom of early prog rock with the likes of Flying Saucer Attack, AMM, Amon Düül, Christian Marclay and Sonic Boom's E.A.R. Pimmon manipulates old vinyl records, tapes found at thrift shops, and his young children letting loose on a Korg MS20 synthesizer. He mixes up things with a variety of unconventional sound sources, and gets so lost in file manipulation and mixing that when the final product is complete, there is little recollection as to how it all came together. Talk about a trademark of quality.
30-second RealAudio excerpts: No Jazz for Jokers Released the week of August 11th, 2003 order from Midheaven mailorder
Puzzleweasel is 22-year-old Peter Dahlgren: born in Zürich, lived in Amsterdam and Stockholm, now residing in Aarhus, Denmark. Awakened early one somber Monday morning by a guy muttering about some Music-n-MIDI class starting a few minutes later, the Puzzleweasel was dragged into an in-depth study of Logic Audio (his current software weapon of choice) and studio technique. Combining this newly acquired knowledge with early musical influences (the twistedness of Texas Faggott, Nam Shub of Enki, the beats of Noia DnB, and the intensity of harsh noise), his ambition was to create what was then lacking in the Scandinavian scene: a full-frontal attack on the dancefloor. Mixing crispy sounds with harsh schizophrenic beats, this tight, four-track EP is an excellent showcase of Puzzleweasel's skillz. Soundwise, these tracks fall somewhere between Richard Devine and Venetian Snares, with a playful sci-fi edge and an unabashed love of throbbing jungle basslines and snarerushes la Squarepusher and Aphex Twin.
Puzzleweasel has worked with the electronica genius Sofus Forsberg (Jenkamusic.dk), and Sara Saxild of the highly acclaimed Danish instrumental experimental group Underbyen. Recent Puzzleweasel productions delve into more experimental realms; expect a full length album later this year.
Track listing:
1. En Aften Med Hr. Ryan
Released the week of August 4th, 2003 order from Midheaven mailorder
Over the course of the first four years of the '90s, Shrimper released three cassette-only releases by Lou Barlow & His Sentridoh. Losing Losers was reissued on double-LP and CD some eight or so years back, while Wasted Pieces and Some of the Best/Most of the Worst... have been out of print for years, moping around eBay of late asking for $35 here, $52 there. After dubbing thousands of copies of the cassette from second-generation UR60 tapes, the Shrimper brain trust fished out the original sequenced masters, shipped them back to Lou B to resequence and add out-of-print Sentridoh recordings to, and assembled the motherlode onto a single disc. The tracks mine the ennui and melancholy one might expect from Mr. Barlow, but there are also orchestrated instrumentals (one of which made it into the Kids film, but not on the soundtrack), Moondog beats, and a cappella treachery. Lou is on the road during spring and early summer 2003, touring behind the New Folk Implosion record, sprinkling some solo dates here and there, and performing songs from his self-released Lou B's Free Sentridoh CD from last year as well as material from the days of yore.
30-second RealAudio excerpts: Pooh Piece Released the week of August 11th, 2003 order from Midheaven mailorder
With Rhode Island a few years behind them and Austin soon to be in their rear-view, Steve "Ferrari" and Craig "Four" give you a clattering investigation of what is beautiful. Using warm, reverberating synthesis, shitted-up guitars and dirty microphones, Loud New Shit continues where Enemy Of Fun left off but is a poppier affair altogether. Imagine a Disco Inferno record as produced by Phil Collins, with Faust as the house band. Or the record Dead C never got to make for Teenbeat.
This is an EP, but a generous one, boasting four new originals recorded after their North American tour with Numbers and Cex, as well as carefully selected remixes by other artists, who chose their favorite songs from Enemy of Fun: Icelandic indietronica phenomenom Múm (Fat Cat), New York's Shy Child (El Guapo, ABCs and Touchdown), Los Angeles' Electric Company (Tigerbeat6, Medicine), Portland's Strategy (Kranky, Omco, Nudge), midwest IDM hero Casino Versus Japan (Carpark, City Centre Offices, Wobblyhead). Highlights include a brilliant eight-minute epic reworking of "Our Light" by ambient isolationist originator Main, and Enemy of Fun's most poignant track "Suspension Days" newly reworked by Stars as Eyes themselves.
Stars As Eyes drift further into rocktronica than any of their contemporaries...striking a perfect balance between sunny, anaesthetized tones and post-punk skree. --Skyscraper
Refreshingly various and consistently intriguing. --The Wire
Track listing:
1. Some Life 30-second RealAudio excerpts: Some Life Released the week of August 4th, 2003 order from Midheaven mailorder
Montreal transplant Sixtoo, following a string of well received productions (including work for Sage Francis's Personal Journals, his own instrumental classic Duration, and his latest LP Antagonist Survival Kit (Vertical Form), as well as a multi-record deal with Ninja Tune), joins forces with his old production mate, Stigg of the Dump as Villain Accelerate. Maid of Gold is a barrage of breakneck drums, dark samples, pulsing bass, and destabilizing electronics, and may very well be the most accomplished instrumental release in the Mush catalog. It is the work of a production team schooled in hiphop with the engineering skills of the most sonically challenging drum & bass producer.
30-second RealAudio excerpts: Table of Context
Click the titles below for details on specific new
releases.
ANTIMC
BLACKTOP
BUSDRIVER
COUNTRY TEASERS
DAVE DERBY
dosh
DYNASTY
GUIDED BY VOICES
HERMAN DÜNE
THE INNOCENCE MISSION
KNIFEHANDCHOP
MODEY LEMON
MY MORNING JACKET
PIMMON
PUZZLEWEASEL
SENTRIDOH
STARS AS EYES
VILLAIN ACCELERATE
July 2003 releases
Coming "soon":
dates subject to change
2MEX
CARLA BOZULICH
DAVIS REDFORD TRIAD
DOORMOUSE
FANNY
DJ FRANE
GLANDS OF EXTERNAL SECRETION / PRICK DECAY
OMID
SONIC YOUTH
VARIOUS
why?
ALUMINUM GROUP
ANTIMC
ANDRE AFRAM ASMAR
BANANAFISH
PAULA FRAZER
HER SPACE HOLIDAY
KID606 / THE BUG / WAYNE LONESOME
SMOKEY AND MIHO
DWAYNE SODAHBERK
SWELL
SWELL
SWELL
themselves
DW & FATJACK
ALI AKBAR KHAN
JET BLACK CRAYON
THE MOLES
OCTAVIUS
PELT
SIX ORGANS OF ADMITTANCE
SUNROOF!
TEAM SHADETEK
VIBRACATHEDRAL ORCHESTRA
VILLAGE OF SAVOONGA
VARIOUS ARTISTS
The releases above and on the left (as well as over 19,000 other
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