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Updated 7/27/01 Release dates [among other things] subject to change. Our mailorder pages feature all the titles below-- and more-- sorted by release date at the following links: 6/4/01, 6/18/01 and 7/23/01. REBECCA GATESRuby Series (BADMAN 989) CD Released the week of June 4th, 2001 order from Midheaven mailorder The Spinanes formed in Portland, Oregon, in 1991 when Rebecca Gates (guitar/vocals) started playing with Scott Plouf (drums). In 1993 they released their first album with Sub Pop, the acclaimed Manos. In 1996 Strand followed, and after the departure of Plouf, who left to handle drum duties in Built to Spill, Rebecca relocated to Chicago and issued Arches and Aisles, an album that received glowing reviews in Rolling Stone, SPIN and Entertainment Weekly, and Best of 1998 on amazon.com. In fact, each of her past albums have averaged five-star ratings from Amazon reviewers. On Ruby Series, Rebecca is joined by Chicago musicians John McEntire (Tortoise, The Sea and Cake), Noel Kupersmith (Brokeback, The Chicago Underground Quartet), Mikael Jorgensen (Movere Workshop) and Brian Deck (Califone, Red Red Meat). Production is handled by Rebecca with the assistance of John McEntire and Brian Deck. She has performed on the Conan O' Brien show and toured with The Afghan Whigs, Sam Prekop, Luna, Liz Phair, Stereolab, Morphine, Codeine and other seminal artists. She sang on Elliott Smith's debut album and he returned the favor by joining her on The Spinanes' Strand.
Gates fills wandering, seemingly structureless songs so entirely with her melodic, shifting strumming that you won't know what you're missing. Her hushed, honeyed vocals, which have a similar quality to those of friend and sometime bandmate Lois Maffeo, are a soothing secret; you are compelled to listen closely to her sentence fragments, which reveal rising moons and lovers' imprints on foggy windows.
KING BROTHERSIn The Red (IN THE RED ITR82) LP/CD Released the week of June 18th, 2001 order from Midheaven mailorder Take a minute to think about the state of your existence right now. Everything okay? Complete garbage? Or maybe it's a confusing mess that maybe someday you expect to truly fathom. Whatever you got going, kiss it good-bye. For better or worse, you will soon be able to divide your life in half - a time before you heard the King Brothers, and after. Oh, it's gonna be different. Fucking different. Count on it. Hailing from Japan and barely out of high school - as if any of us are any different - the King Brothers have already started setting rock'n'roll music and anything else in their path on fire. With releases on a major label in Japan and on Bulb in the United States, this-two-guitars-and-drums trio's In The Red debut crams punk rock, blues and noise into a meat grinder and smears what comes out with lots of nasty screaming. Harsh, wild and in your face - hell, yes - and deliciously mightay, mightay.
See them before they all have heart attacks.
Definitely the best band in the world.
Few live acts make me drop my beer... I lost my Schlitz when I raised my hands in glee at the coccyx-crunching, psycho-blues racket produced by these three polite maniacs from Nishinomiya City, Japan. As I walked in, guitarist Masafumi Koyama and guitarist/vocalist Keizo Matsuo physically threatened the crowd with their equipment. Meanwhile, drummer Jun Fujimoto, who sports hair Don King would envy, and with more bounce, smashed his little kit like he was apt to strangle small animals for the hell of it... King Brothers deliver...ear-splitting death boogie with the added delight of track titles shouted as songs begin. Did I mention that all lyrics are in Japanese? Did I mention that Koyama is also credited with "scream," because on every song he lets loose with blood-curdling, wordless shrieks? I love this shit. It makes me want to throw cinderblocks off my roof. If they want it, King Brothers can have my soul.
DEADLY SNAKESI'm Not Your Soldier Anymore (IN THE RED ITR77) LP/CD Released the week of July 23rd, 2001 order from Midheaven mailorder Hot new Memphis-style barbecued soul coming at you by way of Toronto, Canada: meet The Deadly Snakes. In 1999, some youngsters invited Greg Oblivian, formerly of the Memphis garage/soul/punk band The Oblivians, to Canada to produce an album by their six-piece rock'n'roll band. They perfectly blend rock, punk and soul - they even have a horn section. Naturally, Greg was so taken with their music that he not only wanted to be their producer, but he wanted to be in the band. They completed the album, later released by Sympathy for the Record Industry, with Greg as producer and soon after hit the road with him in tow as their second guitarist/lead vocalist. Now they are seven. Featuring all original material, I'm Not Your Soldier Anymore shows off the band's maverick musicianship and songwriting skills, and how could it not? With no fewer than three different lead vocalist/songwriters, influences run the gamut: Stax-style soul, Rolling Stones-style R&B raunch, the backwoods blues of Bob Dylan with The Band, the slinky growl of Van Morrison with Them, and loads of others. Their live shows are testimonials to the power of rock and soul music. I'm Not Your Soldier Anymore sounds classic and timeless. This is rock'n'roll music performed as the Almighty commands.
Balancing frenetic, hand clapping, foot-stomping madness with plenty of swampy harmonica notes, vintage organ and a becoming drunken squalor, the Deadly Snakes give a warm welcome to rock'n'roll from the '60s...These Deadly Snakes rely on raw, mid-tempo numbers to shoulder their gritty and soulful call-and-response...Reminiscent of an inebriated, confused Neil Young, André St. Clair's vocals...lurch coolly from verse to verse with a demeanor that's unmistakably carefree, yet carefully crafted for a perfect fit that sounds like a gospel church choir gone haywire. Simple enough for the hoi polloi to sink their teeth into, yet still cool enough to satiate the planet's garage rockers.
MELT-BANANASpeak Squeak Creak (AZAP AZOO4) CD/LP Released the week of June 18th, 2001
order from Midheaven mailorder Produced by Melt-Banana and K. K. Null of Zeni Geva, engineered by Steve Albini, recorded in a Chicago basement, June 1994, the 24-track 30-minute Speak Squeak Creak was originally released in '94 by Null's Nux Organization label, was sporadically available throughout the decade, and is now reissued by the band's own label - on vinyl for the first time.
The band for this recording consisted of Yasuko, Agata, Rika mm' and Sudoh. They have long been admired by everyone - from the highest brows within the ranks of the avant garde such as John Zorn and Mike Patton, to shorts-draggin' munters who need to carry their wallets on a leash - for their riotous cacophony in which free jazz, math-rock, speed-metal, and grindcore all enjoy equal opportunity deployment.
Vocalist/principal songwriter Yasuko regards Speak Squeak Creak as the band's "base camp. Everything started from this album. Pop with rhythm and noise," but what she really means is "a cross between God Is My Co-Pilot, Napalm Death, and Love Sculpture's version of Khatchaturian's Sabre Dance."
...This Japanese quartet takes all the scrabbling, atonal dissonance of deconstructionist rock and no wave (DNA, God Is My Co-Pilot, Dawson, Big Flame) and imbues it with the hysteria and acceleration of hardcore and speed-metal... -Alternative Press
30-second RealAudio excerpts: Tail in Garbage (TEKEPAKE)
Released the week of June 4th, 2001 order from Midheaven mailorder Flowing with infectious rhythm, hypnotic percussion, mesmerizing repetition and spine-tingling vocal improvization, Qawwali music has thrilled listeners since the 10th Century. One family - the Khans of Pakistan - has dominated this vibrant musical form with an unbroken line of truly great male vocalists. As Qawwali music rides an unprecedented wave of worldwide popularity, the star vocalist of the next generation, the voice that will carry Qawwali music to a whole new level, has emerged to claim the musical baton of his storied family. At 33, Badar Ali Khan has already released 22 albums in his native Pakistan. Most recently, working with producer/arranger/composer Suresh "Baba" Varma, Badar has leaped to the forefront of his art, becoming a Qawwali superstar with Baba Records' multimillion-selling album, Good Karma 1. Blending the traditional with the contemporary, the ethereal with erotic, Badar Ali Khan has succeeded in transforming this ancient artform into something totally modern, incredibly potent and powerfully intoxicating for today's young audiences.
30-second RealAudio excerpts: True Vine
Released the week of June 4th, 2001 order from Midheaven mailorder
Christine Shields
Mal Sharpe
Ana-Maria Avram
Translation of an interview by Costin Cazaban with Romanian acousmatic composer and Editions Modern recording artist whose uncompromising, demanding music gives heavyweights like Dumitrescu and Fernando Grillo a run for the money. On the CD: the 13-minute "Etude (I), computer assisted music."
Volcano the Bear
mad-cow.org
John Crouse
Rats With Wings
Volvox
Agog 30-second RealAudio excerpts: Volvox - "Milkhead"
Released the week of July 23rd, 2001 order from Midheaven mailorder
The undisputed OGs of the '90s West Coast Power Violence movement - that's right, undisputed; are you really going to bother debating it? - have posthumously compiled 67 out-of-print tracks of legendary fastcore insanity. Among the resurrected material collected here are blastbeat anthems from split releases with 25 Ta Life, Monster X, Gob, Lack Of Interest, Opstand, Black Army Jacket, Slobber, and Hirax, plus their Tastin' Spoon five-inch, obscure compilation appearances, and their infamous song from the Gummo soundtrack! Like any classic Hong Kong kung-fu flick, Spazz reigns supreme and continues to avenge their death...even from beyond the grave!
Combine sarcastic, gory, and furiously intense punk rock to the extreme with really amusing movie samples and the desire to make a complete mockery of everything, and you get Spazz, possibly the best band in the history of the world. Sweatin' to the Oldies Volume 1 chronicled the tear-jerking metamorphosis of Spazz from a mediocre noise band to the intercontinental champion of powerviolence. And what a beautiful transformation it was. Early on in spazzdom, the spazzes, in their best move to date, gave up on trying to be a legitimate band and got funny. Currently reigning as the superhuman kings of my music collection, they have fought heroically to capture this position, possibly the greatest honor in the world. Their lyrics are impossible to decipher. They pound on their instruments in true death metal valiance. They masterfully embellish their tracks with samples from B-movies. They use a twangy banjo and mouth harp...They are the embodiment of powerviolence. In total, Spazz is way cooler than you or I will ever be, and you should, therefore, buy, scrutinize, and idolize their creations...There is no other band that even comes close to the ingenuity of Spazz. Pick up their devil-spawn now or die a loser. 30-second RealAudio excerpts: Typical Hardcore Song #1 Plus 53 other smooth, relaxing moodpieces!!
Released the week of June 18th, 2001 order from Midheaven mailorder
After a four-year hiatus from rehearsing, recording and performing, during which the members Faxed Head continued mental therapy at the Coalinga Youth Hospice and fought to overcome the ongoing physical and emotional exhaustion wrought by their failed 1991 suicide pact (and a continuing addiction to glue), they reunited to complete this new nine-song album. Their most ambitious recording to date, it is a particularly impressive document, since their advancing mental and physical deterioration leaves them with little ability to play or record. In addition to Chiropractic's startling use of sounds that don't exist in the arsenal of any other death metal outfit on Earth, it also provides perhaps the most intimate glimpse yet of what life is like for these unhappy residents of California's rural Central Valley. Lacking not just physical mobility, but also the quaint mythologies and cultural wellsprings that sustain their Nordic and Austrian counterparts, the Faxed Head are literal prisoners in a wilderness of fast food franchises and corrupt auto mechanics. Accordingly, Chiropractic is an all-grey kaleidoscope of depression, exploitation, sickness, isolation, intolerance, food poisoning, medical malpractice, and agricultural ruin.
Early incarnations of the band appeared on limited pressing seven-inch records and compilations, material that was later compiled onto the full-length Uncomfortable But Free CD. After personnel changes, the band recorded the Exhumed at Birth CD (which Metal Maniacs magazine described as "a severely damaged new extreme of metal...a sick level of horror and mayhem"). Naturally, a brief tour of Australia followed.
30-second RealAudio excerpts: Rest Stop Cleaning
Released the week of June 4th, 2001 order from Midheaven mailorder
A sprawling follow-up to 1999's critically and commercially successful release Empty Bell Ringing in the Sky 2xLP/CD, Ayahuasca represents the most comprehensive survey of Pelt activities to date. Recorded over a period of more than two years at various live and studio sessions, this double-CD shows the heavily bearded Jack Rose, Mike Gangloff and Patrick Best broadcasting from lesser-known and newly discovered corners of the drone-omniverse. Most striking about the record is the inclusion of several traditional tunes, arranged for the group's eclectic instrumentation. While Pelt have long performed acoustic material, and let some sneak out on the limited edition For Michael Hannas CDR, Ayahuasca is the first release to fully explore this part of their repertoire.
"The Cuckoo" and "Deep Sunny South" are traditional Appalachian numbers, played and sung with considerable skill and feeling. The sawing bowed acoustic guitar on the former and the rolling banjo and Tibetan bowl accompaniment on the latter draw a direct line between raw / folk traditions and the deep, visceral drone music that Pelt have specialized in over the past several years. Combining the two styles neatly, "A Raga Called John" features Jack Rose's very, very fine country-blues / Fahey-influenced fingerstyle guitar over a shifting backdrop of hurdy-gurdy and concertina, before giving way to tanpuras overrun by fretless banjo. Of course, on top of all this easily comprehensible music there's plenty of ear-cleansing, ecstatic drone, from the two long floatation-inducing trios for bowed electrics and esraj to the wall-shaking electric hurdy-gurdy mania of "Bear Head Apparition." Truly a record for our times, such as they are.
30-second RealAudio excerpts: True Vine
Released the week of June 4th, 2001 order from Midheaven mailorder
North Fork Flyer represents the continued persistence of a type of Appalachian folk music that has come and gone from the popular radar over the years, but has never completely disappeared from the Black Twig Pickers' Southwest Virginia home. The songs on North Fork Flyer are mostly traditional numbers (with a few originals sprinkled in) that form the backbone of a century-old tradition - the music of bonfires, front porches, coal miner's festivals, and informal gatherings. These "mountain ragas," as the group calls them, have been recorded, performed, and revised continually by a who's who of true American artistry - luminaries such as Bukka White, Mississippi John Hurt, John Fahey, Bob Wills, Holy Modal Rounders, New Lost City Ramblers, etc., etc.
Recorded live to DAT on front porches and in family rooms, North Fork Flyer blends the fiddle blues of Ralph Berrier Jr., Isak Howell's sinewy guitar and the drone and twitch of Pelt's Mike Gangloff's fretless clawhammer banjo with the trio's rough-around-the-edges but warm vocal harmonies. Played to the accompaniment of night insects, passing trains, and the noise of wandering children, the music retains the charm of tradition but is free of fake antiquarianism and nostalgia. Regardless of age, the music is just as relevant today as it was 100 years ago and the band plays it as though they mean it. And they obviously do.
The name of the band comes from the oldest, most crotchety apple variety in the orchard that fiddler Ralph Berrier's family maintains along the musically fertile Virginia-North Carolina line. Black Twig plays regularly in Southwest Virginia.
30-second RealAudio excerpts: Spike Driver's Blues
Released the week of June 4th, 2001 order from Midheaven mailorder
Originally released by Japan's G.R.O.S.S. label as a cassette in a limited edition of 88 copies in late 1994, Loop Circuit's Sound on Sound joins Akifumi Nakajima (also known as prolific noise artist Aube) with Dub Murashita together in an all-electronic self-hypnosis seminar. Basing each of his Aube releases on a distinct and singular source (e.g. water, medical equipment, etc.), Nakajima's "sound designs" range from subtle, ambient journeys to intense noise crash-landings; for this rare collaboration, he surfs a slightly different wavelength. The duo limit their source materials here to purely electronic sounds, loops and effects, creating a mesmerising, constantly shifting mosaic. Fans of early Kraftwerk or early Tangerine Dream will lapse into their usual trance-state almost immediately upon listening to Sound on Sound, while it should generate enough jittery mouth-breathing and Internet posts to last an entire weekend among noise collectors and other socially crippled dirtheads. Even stuffy Minimalism know-it-alls might take pause to thoughtfully stroke their goatees and speak Steve Reich's name aloud. Nakajima's sense of precision is legendary and respected far and wide; the original recording quality of Sound on Sound and vinyl remastering live up to his customary high standards.
30-second RealAudio excerpts:
Released the week of May 21st, 2001 order from Midheaven mailorder Herman Düne are comprised of two Swedish brothers and a man named Omé on the drums. Last year they released Turn Out the Light, their critically acclaimed debut on the European Prohibited label. Mojo magazine observed, Herman Dune's idiosyncratic vistas capture the imagination, recalling the cut-and-paste lyricism of Julian Cope, the deliciously woozy chug of the Velvet Underground and the metronomic repetition of Can. The band has toured the citrus-deprived, pestilence-ridden land mass of Europe, stopping off for appearances on John Peel's radio show and otherwise making quite a name for themselves abroad.
The trio currently resides in Paris, France. The brothers Herman Düne - David-Ivar and André - cite as important influences their family home in Dalarna, Sweden (with its silence, space, and trees), the German writer Franz Jung, and the music of VU, Sebadoh and other usual suspects. The band will be playing shows stateside in support of They Go to the Woods, and made an appearance at the SxSW tradeshow in Austin.
30-second RealAudio excerpts: The Right Path Lays Open Before Me |
Click the titles below for details on specific new releases.
June/July 2001 New Release index:
BANANAFISH
BLACK TWIG PICKERS
DEADLY SNAKES
FAXED HEAD
REBECCA GATES
HERMAN DÜNE
BADAR ALI KHAN
KING BROTHERS
LOOP CIRCUIT
MELT-BANANA
PELT
SPAZZ
January 2002 new releases Coming "soon":
(all dates subject to change)
BROTHER JT
CONSUMERS
LARSEN
HERSCHEL GORDON LEWIS
SWANS
ORNETTE COLEMAN
ALICE COLTRANE
BEN KUNIN
NOVEX
DON HOWLAND
INFINITE X's
L. STINKBUG
SIX ORGANS OF ADMITTANCE
VIBRACATHEDRAL ORCHESTRA
SIMON WICKHAM-SMITH
AWOL ONE
ETERNAL ELYSIUM
TONY JOE WHITE
The releases above and on the left (as well as over 15,000 other
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