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In K. Leimer’s most recent work, he returns to his long-running interest in developing relationships in sound that are not composed, not planned, not under conscious influence or control. Phrases and patterns emerge from dense layering and editing; melodic elements are split apart, re-voiced and reset in successive contexts.
A music of distressed fragments, Spall originates from acoustic, electric, synthesized, manipulated, torn, and piece-work audio that combines into complex, layered, and flowing pieces of unexpected turns and contrasts.
Modified, melted, and shaped into shifting sonic environments that fuse the clear signal with the distorted, the recognizable with ambiguous, Spall is music mined from an abandoned quarry.