The bareboned arsenal of junkpile guitars and implementation of alternate tunings was growing, and so were the songs that matched the individual attributes of each instrument: certain ones groan and growl a specific way that the band started to realize itself could become the compositional germ of a song. Herein is the threshold of a new explosion of the band’s creativity , replacing the comparatively cleaner buzz of the Sonic Youth EP with guitars that  spew fractured, uglier chunks of sound everywhere, held down by menacing minimalist basslines (actually played by Thurston on half of this LP, and for the only time ever on “Protect Me You,” Lee) and the brutal-yet-controlled  metronomic drumming of Jim Sclavunos , augmented with replacement drummer Bob Bert’s notable bashing on “Making the Nature Scene” and grotty no-fi live rendition of “I Wanna Be Your Dog.” Hearing the crashed-window intro of “Inhuman” and subway-brake screech of “The World Looks Red,” you can attest that while Sonic Youth’s guitars are not quite yet being utilized in the totally controlled, lyrical fashion seen later on albums like Evol , Daydream Nation  et al., they were well aware of the colors and tonalities that were unfolding and the possibilities presented. Also, they were getting a grasp on adding colors to the chaos  with tempered, simmering moments like Gordon’s “Shaking Hell” and Ranaldo’s chimy, home-taped “Lee is Free.” “Making the Nature Scene” and “The World Looks Red” even  toss in glints of hip-hop vocal approach way ahead of its time, albeit through a blender. While its confrontationalism might have put off some critics, time  has rewarded Confusion  with a truly distinctive air and atmosphere  in the Sonic discography, enough to have Moore declare it his fave along with the band’s swan-song The Eternal.

—Brian Turner, WFMU