MC


REDEEM DOWNLOAD CODE

Enter the download code you received with your purchase to claim your downloads. Keep in mind many mobile devices don't have built in support for opening ZIP files; you may want to download on a computer.


LOGIN

Login with your existing account.

CREATE ACCOUNT

Create an account to purchase items.

Passwords must be at least 6 characters

Generators
LP $22.25

02/28/2012 9120020388313 

DEMEGO 024 


***Over the course of a year, KEITH FULLERTON WHITMAN performed a piece of live electronic music a few dozen times entitled "Generator." The debut was given in San Francisco at Root Strata's On Land festival at Cafe Du Nord on September 19th, 2009—over the months that followed, stagings took place in venues ranging from flooded basements to festival stages in Baltimore, Boston, Brooklyn, Chicago, Easthampton, Iowa City, Jamaica Plain, Northampton, Raleigh, Saint Louis, San Francisco, Somerville and Washington D.C. This LP covers the final two performances of the piece over two consecutive evenings; the opening solo set from the final night of the High Zero festival in Baltimore at the Theater Project, September 26th, 2010, then the performance during the "For Eliane" night of the Propensity Of Sound festival dedicated to Eliane Radigue's work at Issue Project Room, Brooklyn, September 27th, 2010. These recordings show the piece in two different iterations, taking two different trajectories entirely. They're considered the definitive versions of the piece. Composed for, and realized with a scalable selection of digital and analog modular synthesis equipment, "Generator" was an attempt to wrest a viable performance-based music out of what had until then been a solitary set of sound-design tools. The piece grew out of a frustration with the limitlessness of computer-based real-time synthesis and algorithmic/generative systems vs. their utter failure as performance solutions. It hinges heavily on the ideology of the "Playthroughs" system (in that the subtle tuning inconsistencies of a physical instrument—the electric guitar—could be amplified and multiplied) through the use of multiple layerings of different topologies of oscillator, yielding an unstable array of modal canons that drift in and out of "tune," causing all manner of inter-voice beating and assorted psycho-acoustic effects.

Related Items

Emeralds

Does It Look Like I’m Here?
Editions Mego

Whitman, Keith Fullerton

Schöner Flußengel
Kranky

Whitman, Keith Fullerton

Variations For Oud & Synthesizer
No

Drumm, Kevin

Sheer Hellish Miasma
Editions Mego

Gilbert, Bruce

Oblivio Agitatum
Editions Mego

Fennesz

Endless Summer
Editions Mego

Orcutt, Bill

A New Way To Pay Old Debts
Editions Mego